Credits: [1-7] For Marjan K. [excerpt one, two & three]: piano, tape delay, double bass, flute, gong, glockenspiel, field recordings by the composer, e-guitar sound material by G. Koehler. [8-13] Train Sonor: Piano; Piano minimal #3 [simultaneous]: inspired by Alan Sondheim's animation called quaggy; Piano minimal #3: piano & field recordings by the composer. Supernatural drone [guitardrone reverse]: e-guitar sound material by G. Koehler, radio, tape delay by the composer. Flute stream: flute sound material by G. Koehler, treatment & interface by the composer. Cluster medicine [pianodrone #2]: piano, tape delay & interface by the composer. NYC Subway #4: field recordings, noise treatment & interface by the composer. Piano minimal #1, #2, Piano drone #1: piano & interface by the composer. Organ pattern #1: organ by the composer. Zikad: sound editing by the composer. [14] Train Sonor [April, 2007]: double bass, ambient sounds, subway cars, subway gate sounds, subway announcer, trains, street, car horns, voices, bells, birds, street festival drums, piccolo flute, piano cluster, percussive sounds, ambulance, rain, Max/MSP, Karlette VST (Tape Delay) plug-in by the composer. [simultaneous] [15-17] Train Sonor: [Self-Portrait], Prelude, The Beauty of Ruins & Chant: acoustic guitar patterns, voice by G. Koehler, field recordings, birdsong, percussion frog, elecronics, Spongefork 3, GarageBand, fLOW [Karlheinz Essl] software by the composer. [18] Train Sonor: Sirens: field recordings (rain, water, wind, thunderstorm) found noise, fLOW, Max/MSP, Spongefork tracks, piano, prepared piano, voice by the composer. [19] New York drone: organ, electronics & field recordings by the composer. [20] Train #3: Frankfurt am Main Railway Station field recording. [21] Montmajour #1: electronics by the composer. [22] Voyage #5: Percussion, piano, shofar blowing & electronics by the composer. [23-36] Rhythmic Etudes: electronics & field recordings by the composer. [37-40] Rhythmic Etudes: electronics & field recordings by the composer. [41] The Golden Age. [42] nocturne I [12:11] [complete]: Collaboration with George Koehler [acoustic guitar and prepared acoustic guitar]. Ralph Li [percussion, Max/MSP, software instruments, Spongefork interface*, live electronics] :: J & H blueprint :: in a clockwork :: intimacy :: distance :: nocturne I & II :: Iannis I. Compositions: Ralph Lichtensteiger & George Koehler. [43] Two Places [for Matthew Rogalsky] | Part one: For one or two pianos, environment sounds and spare percussion | Part two: For one or two pianos and Rogalsky's FontanaNet (2002) sounds arranged by Ralph Lichtensteiger | Realization with two tape-machines and/or two DAT-recorders [score fragments]. William Carlos Williams poem A Place (Any Place) to Transcend All Places. [44] écriture chiffrée I · for James Drew, by Ralph Lichtensteiger · sonorité sans mémoire II · voyage acoustique (two) 2005 [45] Piccadilly Station Manchester [07:10] Submission by Jonathan H. Fisher [Piccadilly Train Station, Manchester, England]. [46] melectric [Jan Hufenbach]: [AKP] Recording Juni 2007. Locations: Alexanderplatz Berlin, S-BHF, Zionskirche am Zionskirchplatz and Mauerpark, Berlin. Anonymous saxophon player. Equipment: Tascam, Neumänner, Cubase etc. [47] Piece for prepared piano [06:19] [for James Drew], prepared piano player by Ralph Lichtensteiger. Info: Invitation to participate.