[01] · For Marjan K. [excerpt one] [06:21]
[02] · For Marjan K. [excerpt two] [05:40]
[03] · For Marjan K. [excerpt three] [05:44]
[04] · Piano minimal #3 [simultaneous] [08:50]
[05] · Supernatural drone [guitardrone reverse] [17:02]
[06] · Flute stream [09:54]
[07] · Cluster medicine [pianodrone #2] [18:54]
[08] · Train Sonor: Piano NYC Subway #4 [10:17]
[09] · Piano minimal #1 [04:46]
[10] · Piano minimal #2 inspired by quaggy [13:06]
[11] · Piano drone #1 [04:40]
[12] · Organ pattern #1 [02:46]
[13] · Zikad [02:24]
[14] · Train Sonor [26:49]
[15] · Prelude, The Beauty of Ruins [excerpt] [06:51]
[16] · Chant, Purification [excerpt] [05:18]
[17] · Chant, Negotiations & Discourse [10:30]
[18] · Sirens [excerpt] [aural diagram] [11:36]
[19] · New York drone: field recording [11:20]
[20] · Train #3 Railway Station [excerpt] [15:32]
[21] · Montmajour #1 [excerpt] [03:16]
[22] · Voyage #5 [excerpt] [15:48]

 

[23] · Rhythmic etude #1 [03:22]
[24] · Rhythmic etude #2 [03:22]
[25] · Rhythmic etude #3 [04:41]
[26] · Rhythmic etude #4 [04:00]
[27] · Rhythmic etude #5 [03:58]
[28] · Rhythmic etude #6 [03:42]
[29] · Rhythmic etude #7 [apple core] [08:21]
[30] · Rhythmic etude #8 [02:42]
[31] · Rhythmic etude #9 [01:20]
[32] · Rhythmic etude #10 [03:52]
[33] · Rhythmic etude #11 [04:24]
[34] · Rhythmic etude #12 [04:03]
[35] · Rhythmic etude #13 [01:43]
[36] · Rhythmic etude #14 [05:52]
[37] · Rhythmic etude #15 [04:12]
[38] · Rhythmic etude #16 [01:17]
[39] · Rhythmic etude #17 [04:06]
[40] · Rhythmic etude #18 [02:15]
[41] · The Golden Age [11:18]
[42] · nocturne I [complete] [12:11]
[43] · Two Places [for M. R. Part II] [excerpt] [05:49]
[44] · écriture chiffrée I [for James Drew] [21:26]

   

[45] · J. H. Fisher: Piccadilly St. Manchester [07:10]
[46] · melectric [Jan Hufenbach]: AKP [12:04]
[47] · Piece for prepared piano [for J.D.] [06:19]
[48] · "Many people in our society..." [00:57]
[49] · Train Station: Tokyo [excerpt] [00:40]
[50] · non arrival three [06:58]
[51] · Improvisation for prepared piano [for R.R.] [10:26]

   

Credits: [1-7] For Marjan K. [excerpt one, two & three]: piano, tape delay, double bass, flute, gong, glockenspiel, field recordings by the composer, e-guitar sound material by G. Koehler. [8-13] Train Sonor: Piano; Piano minimal #3 [simultaneous]: inspired by Alan Sondheim's animation called quaggy; Piano minimal #3: piano & field recordings by the composer. Supernatural drone [guitardrone reverse]: e-guitar sound material by G. Koehler, radio, tape delay by the composer. Flute stream: flute sound material by G. Koehler, treatment & interface by the composer. Cluster medicine [pianodrone #2]: piano, tape delay & interface by the composer. NYC Subway #4: field recordings, noise treatment & interface by the composer. Piano minimal #1, #2, Piano drone #1: piano & interface by the composer. Organ pattern #1: organ by the composer. Zikad: sound editing by the composer. [14] Train Sonor [April, 2007]: double bass, ambient sounds, subway cars, subway gate sounds, subway announcer, trains, street, car horns, voices, bells, birds, street festival drums, piccolo flute, piano cluster, percussive sounds, ambulance, rain, Max/MSP, Karlette VST (Tape Delay) plug-in by the composer. [simultaneous] [15-17] Train Sonor: [Self-Portrait], Prelude, The Beauty of Ruins & Chant: acoustic guitar patterns, voice by G. Koehler, field recordings, birdsong, percussion frog, elecronics, Spongefork 3, GarageBand, fLOW [Karlheinz Essl] software by the composer. [18] Train Sonor: Sirens: field recordings (rain, water, wind, thunderstorm) found noise, fLOW, Max/MSP, Spongefork tracks, piano, prepared piano, voice by the composer. [19] New York drone: organ, electronics & field recordings by the composer. [20] Train #3: Frankfurt am Main Railway Station field recording. [21] Montmajour #1: electronics by the composer. [22] Voyage #5: Percussion, piano, shofar blowing & electronics by the composer. [23-36] Rhythmic Etudes: electronics & field recordings by the composer. [37-40] Rhythmic Etudes: electronics & field recordings by the composer. [41] The Golden Age. [42] nocturne I [12:11] [complete]: Collaboration with George Koehler [acoustic guitar and prepared acoustic guitar]. Ralph Li [percussion, Max/MSP, software instruments, Spongefork interface*, live electronics] :: J & H blueprint :: in a clockwork :: intimacy :: distance :: nocturne I & II :: Iannis I. Compositions: Ralph Lichtensteiger & George Koehler. [43] Two Places [for Matthew Rogalsky] | Part one: For one or two pianos, environment sounds and spare percussion | Part two: For one or two pianos and Rogalsky's FontanaNet (2002) sounds arranged by Ralph Lichtensteiger | Realization with two tape-machines and/or two DAT-recorders [score fragments]. William Carlos Williams poem A Place (Any Place) to Transcend All Places. [44] écriture chiffrée I · for James Drew, by Ralph Lichtensteiger · sonorité sans mémoire II · voyage acoustique (two) 2005 [45] Piccadilly Station Manchester [07:10] Submission by Jonathan H. Fisher [Piccadilly Train Station, Manchester, England]. [46] melectric [Jan Hufenbach]: [AKP] Recording Juni 2007. Locations: Alexanderplatz Berlin, S-BHF, Zionskirche am Zionskirchplatz and Mauerpark, Berlin. Anonymous saxophon player. Equipment: Tascam, Neumänner, Cubase etc. [47] Piece for prepared piano [06:19] [for James Drew], prepared piano player by Ralph Lichtensteiger. Info: Invitation to participate.